As I mentioned in my blog (part 1) the Delta Blues has travelled near, far and throughout the world. Here are some additional notable artists from the Delta region, many of whom roamed from place to place often never staying for very long. Despite my blog views being somewhat dismally low for topics such as these, it is a subject critical to the understanding of today’s music, in particular modern blues and much of classic rock. While I feel the need to set a baseline by mentioning these artists, later I think I’ll reverse engineer from names such as Eric Clapton, the Rolling Stones, Canned Heat and today's biggest guitar hero Joe Bonamassa. There is much to say about these legendary characters, originally just referred to as “songsters” or “wandering songsters” and “minstrels” many of whom have several stories written about them and I should do a blog or two on their own.
Here is one of his early recordings and his most covered at 18 versions.
“Candy Man Blues” written and performed by Mississippi John Hurt (1928)
“Candy Man Blues” by Donovan. This is the first known cover version of this song (1965) but it's more of an ‘inspired by’ cover as the lyrics are changed significantly and are not the same sexually suggestive words but the tune stays pretty true.
Referenced a couple times and likely again as his recordings have become something of a pivotal point in music. You may know of the story of the man who sold his soul to the devil for mastery over the guitar, that myth is about Robert Johnson. He died at the age of 27 in extreme pain, some say poisoned by strychnine laced whisky provided by a jealous husband.
His two recording sessions occurred in San Antonio and Dallas. The account of music engineer Don Law and particularly the first session at the Gunter Hotel, November 23 to the 27th in 1936 has been played out in songs, books, movies and tv shows. Here is one of the songs which tells the story of a man at critical time in his life and helped to feed the mythology of selling his soul to the devil (which is never actually referenced in the song).
“Cross Road Blues” by Robert Johnson (Nov. 27th 1936). Covered about 90 times to date.
Eric Clapton and The Powerhouse, from a compilation album What's Shakin' (June 1966). This features Steve Winwood on vocals. The group only recorded four songs, this is one of three to be released. The feature group on the album was the Lovin’ Spoonful but also included; The Paul Butterfield Blues Band, Al Kooper and Tom Rush.
These song lyrics are somewhat ambiguous, he’s either referring to sex or drugs (not unusual content for Delta Blues lyrics), I think both as "a spoonful" at the time had an equivalent meaning. The fact the protagonist was willing to kill a man and go to jail over it does not clear things up either as men have done it over both.
“A Spoonful Blues” Most likely written by Charlie Patton
“My Black Mama” written by Son’s tutor, James McCoy and performed by Son House (1930)
“My Black Mama” was covered as “Walkin’ Blues” by Robert Johnson during those famous recording sessions. . Since covered over 100 times.
Rory Block recorded a tribute album to Son House, here’s her version of “My Black Mama”
“Baby Please Don’t Go” written and performed by Big Joe Williams (1935). Covered over 160 times and one of my favorite Delta tunes by any artist. Here is a great live performance from the 1960’s.
“Baby Please Don’t Go” performed by ‘Them’ in 1964 with a young Van Morrison as their lead singer.
“Baby Please Don’t Go” by Bob Dylan recorded during the ‘Freewheelin' Bob Dylan’ sessions in 1961 and 62, this song was an outtake not released until 1991.
Music Trivia. What makes ‘The Blues’ so unique? As I've read, among other things it’s the adaptation of the African 5 note or Pentatonic scale to the Western/Americanized 7 note scale. The blues began largely on guitar and the musicians would actually bend the strings to produce the lower and hence ‘flat’ (vs. sharp) notes that are an identifiably 'melancholier' sound.
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